刘銮雄太太第三胎

Multiple Chinese universities raise gaokao score requirements for arts admissions_我的网站

A |     

    Students practice their skills at a dance training center in Handan, North China's Hebei Province. Photos: VCG
Even during summer break, changes to the admissions policy at the Communication University of China (CUC) have sparked heated discussions among students, with the reform becoming a hot topic on campus and on social media.
Amid heated debate over China's top media and arts school's admission reform, eight majors, including radio and television directing and theater directing, will no longer require separate arts exams and will instead admit students based solely on gaokao (the national college entrance exam) scores starting next year.
China's art college entrance examination, known as yikao, is a special admission pathway for students applying to arts-related majors. Applicants take both the gaokao and professional tests in areas such as fine arts, music, dance, acting, broadcasting and directing. Compared with many other university programs, art majors have traditionally placed less emphasis on gaokao scores and more on candidates' professional abilities and artistic potential.
"As one of China's most influential universities for media education, CUC's reform is seen as having broader implications," Xiong Bingqi, president of the 21st Century Education Research Institute and vice president of the China Association of College Newspapers, told the Global Times.
In his view, future arts admissions are likely to place greater emphasis on students' cultural literacy, professional interests and long-term potential.
    A view of the campus of Communication University of China in Beijing
Beyond the 'shortcut'

CUC's move reflects a broader trend among Chinese arts universities. In recent years, institutions such as Nanjing University of the Arts and Henan Academy of Fine Arts have reduced the number of majors requiring school-based exams on their specific art subjects, placing greater emphasis on academic performance and provincial-level arts examinations.
The changes reflect a broader trend in China's arts education admissions system, where universities have increasingly emphasized students' cultural foundation alongside their artistic abilities.
"CUC's latest adjustment reflects a broader trend in arts education reform, with some arts-related majors beginning to admit students based on their gaokao scores rather than separate professional examinations," Xiong told the Global Times.
According to Xiong, one of the key goals of the reform is to address the utilitarian mindset among some students and parents who view arts admissions as a "shortcut to college." 
In the past, some arts programs had relatively lower requirements for cultural scores, prompting some students with weaker academic performance to turn to arts exams and enroll in professional training programs during high school. As a result, arts admissions were sometimes seen not as a choice driven by genuine artistic interest or career aspirations, but as an alternative pathway to enter universities.
"The cooling of arts exam fever, to me, is a good thing for arts education and talent cultivation," Xiong said. "By admitting eight majors directly based on cultural scores, CUC is effectively removing the stepping stone of the 'shortcut to college,' allowing more students with genuine artistic interests and professional ambitions to enter these fields."
For students, the reform has directly changed how they prepare for university and make academic choices.
"The changes have created more pathways for students interested in media-related fields," a junior arts management student surnamed Wang at CUC, told the Global Times.
Wang recalled that many students around her began preparing for arts exams as early as their sophomore year of high school and later traveled to cities where their target universities were located for intensive training.
As some media-related majors shift to cultural-score-based admissions, more students who did not take the arts exam but have a genuine interest in the media field may gain opportunities to enter these programs, she said.
Rethinking media talent
Beyond changing how students enter arts majors, the reform has also sparked discussion over how universities should train future media professionals.
A CUC sophomore student surnamed Wei from the School of Theater, Film and Television told the Global Times that one challenge after scrapping arts exams for some majors is how to support students who enter without systematic professional training.
"Students who previously prepared for arts exams often developed basic skills in audiovisual language and practical experience before entering university. Those admitted based on gaokao scores may need stronger professional guidance and more opportunities for practice," Wei said.
In addition to individual student development, the reform has also prompted discussions over what qualities future media professionals should possess. Kai Zhu, a drama education instructor at a leading high school in Beijing, told the Global Times that an overemphasis on exam-oriented training in media arts education had previously led some programs to focus on templates and techniques while neglecting core competencies.
"If media arts become a low-score pathway to university, the professional nature of the field will become blurred, and the industry may face a shortage of well-rounded talent," Kai said. CUC's reform signals a shift toward selecting media talent with both cultural depth and professional skills. 
"Creative fields such as screenwriting and filmmaking are not built on technical skills alone; they require an understanding of society, humanity and history," he said. 
"Cultural accumulation determines the depth and vision of creative works."
The reform is therefore not merely about changing the way students enter arts programs. Ultimately, it is about what kind of creators media and arts programs hope to nurture: not only those equipped with professional skills, but those who can think deeply, understand society and transform their cultural knowledge into meaningful works, he noted.
Wang Wenpei contributed to this story.

。    The International Emmy-nominated original series Four More Shots Please! is releasing its fourth and final season on December 19, 2025. Produced by Pritish Nandy Communications and created by Rangita Pritish Nandy and Ishita Pritish Nandy, the final season is directed by Arunima Sharma and Neha Parti Matiyani. It stars Sayani Gupta, Kirti Kulhari, Bani J and Maanvi Gagroo in the lead roles.                                         Signing off the year in style, the final chapter arrives just in time for the holiday season. It shows a heartwarming reunion of the beloved girl gang of Anjana, Siddhi, Damini and Umang. The new season sees the four divas return for one last round, not to start over, but to finish what they started.Alongside the lead cast, the other cast members include Prateik Smita Patil, Lisa Ray, Rajeev Siddhartha, Ankur Rathee and Milind Soman. It sees the quartet back in action with Dino Morea, Anasuya Sengupta and Kunaal Roy Kapur joining the ensemble this season.The trailer gives a glimpse into the end of an era. It is a vibrant and emotional peek into the final chapter of the quartet's journeys, loaded with the comedy that made millions fall in love with this franchise in the first place. It shows glimpses of fights and long conversations, alongside some unwarranted mistakes. The unshakeable sisterhood between the four leads is also visible in the trailer. As Damini, Umang, Anjana and Siddhi step into new phases of their lives, this season promises bold choices, long-overdue conversations, rekindled sparks, heartbreak, reinvention and the signature chaos that made the show a cultural phenomenon. It's all here - only bigger, funnier and more spirited than before.“It’s rare for a show to touch lives so deeply, and Four More Shots Please! did that because fans embraced these four women exactly as they were – messy, brave, vulnerable, loud, loving, and real women with agency and distinct voices. Damini has been a fun, liberating character to play for the last 8 years and I have literally grown up with her. As we close this chapter, I feel immense gratitude to the fans that stood by us, season after season with unbound love, affection and loyalty," shares Sayani Gupta.“Being a part of Four More Shots Please! has been one of the most meaningful experiences of my career. Anjana’s journey – her strength, her flaws, her evolution – resonated with so many women across the world, and that love has carried us through four beautiful seasons. As we wrap this final chapter, my heart is full. This show became bigger than just a story. It became a voice. And that’s only because the fans held us, celebrated us, and kept us going from day one," expresses Kirti Kulhari.Maanvi Gagroo adds, "Four More Shots Please! didn’t just give me a character. It gave me a tribe. From the very first season, Siddhi found a place in people’s hearts, and that connection is something I continue to cherish deeply. Every woman who saw a bit of her younger self in Siddhi made this journey worth it. This season is a celebration of the fans who have grown with us, supported us, and continue to love us unconditionally."          Bani J says, "Umang has lived loudly. Loved loudly. Broken loudly. And rebuilt herself loudly. Fans embraced all her shades right from the beginning, and that love only grew stronger with every season. This finale is our way of giving back to everyone who rooted for this girl gang, who partied with them, cried with them, and celebrated with them."Also Read: ’I Never Believed in PR’: Kirti Kulhari on Full Plate, Four More Shots Please & More | Exclusive。

B |

Current article:http://73q.xuebenwagangqingre.buzz/fpf/20260826/4339.html

Published on:02:50:30